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Great!! But not for beginners!
You need this book !!!!
Bravo, Sarajane!

A highly enjoyable how-to artbook
Art teacher loves this bookavailable now Ceramic Extruding by Jean and Tom Latka successfully answers the question of, "Why are all of those clay extruders rusting on potter's walls?" Their answer is thus: Ceramists, like everyone else, have to be inspired to create beautiful work. This book acts as a magical muse for artists by showing over 300 quality photos of beautiful work by some of the finest international contemporary artists working in the medium today. This book's focus is on the recent emergence of extruded ceramic art as dynamic and surprisingly varied form of creative expression.
"Though the words extrude and extrusion are not ones most people encounter in everyday conversation, we live in a world where we are surrounded by extruded objects. Our brick houses and their tile roofs are made from extruded clay. We shower on extruded tiles, send our smoke and fumes up extruded chimneys and our waste down extruded sewers. From the round O's in your breakfast cereal to the pasta on your dinner plate, extruded objects occupy every conceivable nook and cranny of our lives". Beginning with bricks, Ceramic Extruding details the history of the extruder then demonstrates the ease, as well as the necessity, of using an extruder in one's pottery. The book is organized in a logical manner in order to guide the reader by employing numerous step-by-step instructional methods.
Essentially, Ceramic Extruding is a how-to book and the projects gradually become more advanced. Apart from the photos, another subject that distinguishes this book from other books on the market is its comprehensive theory of extrusion and was the only chapter I had to read twice. It is a difficult subject. The authors give detailed information on why extruders act in the manner in which they do. For instance, I didn't know that clay moves faster down the center of the barrel than clay closer to the walls. This information is useful for artists who want to design their own dies.
Educators take note: As a teacher, I know how it feels to give students a
blank canvas and ask them to be creative. In contrast Ceramic Extruding
shows how to create a limitless supply of foundation material from the
extruder for the student.
The book truly has an international cast of artists, photos of ceramics
spanning from Australia to Inge Pedersen in Norway. I became aware of
several renowned European ceramicists. Antonio Cumella, Alessio Tasca, Elina
Brandt-Hanson, Jim Robison. Other artist's work that impressed me was Ken Williams, Jutta Golas, and Jack Sures. Jean and Tom Latka have an excellent body of work apart from each other, but their collaborative work shines superior.
Everyone has been waiting for the next thing in clay. Well Latka's Flying
Hybrid Extruder and Michael Sherrill's novel extruder/wheel could lead to
the new revolution in clay. The quick release system makes these extruders user friendly. The expansion box is larger than most other machines, and in the case of Flying Hybrid, it out performs slab machines by making slabs faster and more superior. Oddly enough, slab machines compress the clay from the center of the roller to the edges. This creates an unstable molecular structure and cracks result. The clay is evenly compressed in the Vertical Flying Hybrid. An 18"x24" slab is the result when an 8" cylindrical shape 18" long is extruded and sliced lengthwise.
I would like to sum up with a quote from Michael Cohen. "It is important to find a well-made extruder that is adaptable to your needs. As for the
wheel, once you learn how to use it, one question ultimately remains: What are you going to make? After mastering centrifugal force and friction, perhaps it's now time to use gravity and inertia to make a personal statement. Like throwing, it only looks easy."
"Extruding clay takes on a wonderful new meaning when you use the extruder as you would any tool---as one step in the making process, not as an end in itself. The extruder's contribution to the studio can be as profound and influential as the potters wheel --- a slab for the imagination to leap off from". Jean Latka
Two thumbs up! Burn the other extruder books; this is the only one you will ever need.
I am an college art teacher at U.S.C. and find it the best book for my introduction course on the Extruder.
...
BEST BOOK ON EXTRUDER FOR EDUCATORSspanning from Australia to Inge Pedersen in Norway. I became aware of
several renowned European ceramicists. Antonio Cumella, Alessio Tasca, Elina
Brandt-Hanson, Jim Robison. Other artist's work that impressed me was Ken Williams, Jutta Golas, and Jack Sures. Jean and Tom Latka have an excellent body of work apart from each other, but their collaborative work shines superior.
Peter Helm


A very detailed book...While there are few pictures, each one is powerful, no doubt carefully selected.
COMPREHENSIVE ORDER OF BATTLE AND UNIT HISTORY INFORMATION
A thorough history and a must-read

Obviously Mount Rainier
Makes you appreciate all your blessings!
Best Book For "would be" Cultural Anthropologists Ever

Forget about sleeping tonight.
Absolutely Awesome!!!
Wow, Wow, Wow!

Lovely, detailed book, but poorly producedThe content is quite good. The introduction covers tools, materials, and basic techniques; the remainder of the book is projects. The twenty projects show polymer clay's versatility and utility very well, and the instructions are clear and detailed. The photographs are plentiful and attractive, and the frequent illustrations contribute a great deal to the book's clarity.
I do wish that the author had included the amount of clay that each project would require. Many of the pieces require mixing clays to produce specific colors, and without any idea of how much clay will be used, it's hard to make enough, but not too much, of a color you may not need again.
The most serious problem with the book is the quality of the binding. The copy I have is so poorly bound that the spine is loosening noticeably, and I've had it only two days. I would suggest that anyone who purchases this book have it immediately cut and spiral bound; this will also enable the user to keep the book open to a specific page while working.
All in all, a very good book, but the publishers should have paid closer attention to the quality of its production.
Wonderful and useful!
Great!!!My sister gave it to me for my Birthday and I just love it.
The directions for the projects are very clear and the projects themselves are beautiful.
I highly recommend this book.
I've already made 4 of the projects and don't see an end to the variations available.


Real people telling their tales of the transcendent
"Pages of compassion fill this book"
This book is a real Treasure to behold!

Interesting Book!
Hands-down best pc book
Practical, beautiful and inspiring!

Great for Getting StartedIf you are thinking of getting your pilot's license, I suggest that you read this book. I am now finishing up my Private Pilot training, and the book was very accurate about the training involved. Very informational and highly recommended!!
Your Pilot Licence - Great Beginners Book
Great book for future pilots!

Poet finds roots in "Red Clay"Stoller, born in Savannah and educated at the University of Georgia during the tumultuous 60s, has spent the past several years living, working, and writing on a Georgia cattle farm. Her love of the land and the gentle rhythms of rural life sparkle in her poems. Bound by Red Clay is a slim volume of 60 selections, arranged in five titled chapters. It comes after numerous accolades for her verse from such diverse organizations as the Palomar Showcase and the Haiku Society of America.
Ms. Stoller is at once both peaceful and poignant when she focuses on the slow and repeating meter of country life. "Sultry Evening" is an evocative short poem about the pleasures of rocking on a porch hammock while crickets harmonize on summer evenings. In "Red Clay," we follow along as she wanders through sites of the Civil War, still heavy with memory. "Baling Hay" reminds us of the heat of such summer work, but rewards us with an image of " an iced mason jar/ black tea thick with sugar."
Stoller's themes throughout the book are telling: homecoming, death, lost love, the summer's heat, rural life, the social history of the South. She obviously has roots in her homeland, and that foundation creates lovely verse. The truths she finds among Georgia's red clay and pine forests ring true through time and space.
Award notable book!
Neca Stoller's work transcends national bordersMy other concern was whether poetry specifically drawing on a Georgia, USA, landscape would be relevant in Australia. It was. Australian friends have validated my opinion on this.
Like the book itself the poetry is spare, direct and captures the essence of her subjects. Her focus is not distracted by any vanities. The discipline of Japanese genres shines through. The poetry is strong and credible.
I commend it to anyone with a sense of place and community, no matter where in the world they are centered.